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Folk Songs - British and Irish Folk Songs (SATB a cappella) (Conductor's Score w. CD)

The Folk Songs choral collection explores the musical world of Great Britain and Ireland. It contains 21 arrangements of English-language verse songs, canons, and ballads for mixed unaccompanied chorus.

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259,00 DKK

Yderligere information

Produktnr. CV02.214/00
Genre Folk
Forlag Carus
Instrumentation SATB a cappella
Sider 82
Udgivelsesår 2018

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Beskrivelse

Detaljer

CONTENTS:
Cedric Thorpe Davie: A rosebud by my early walk
Thomas Ravenscroft: A round of three country dances in one A round of three country dances in one A round of three country dances in one (1609)
Mirjam James: Ah, Robin, gentle Robin
David James: And I were a maiden (um 1518)
Benjamin Britten: Ballad of green Broom
William Cornish: Blow thy horn, hunter
William Sterndale Bennett: Come live with me and be my love (ca. 1846)
John Rutter: Dashing away with the smoothing iron
Sebastian Krause: Finnegan’s wake
Ralph Vaughan Williams: Greensleeves
Gustav Holst: I love my love
Carsten Gerlitz: I’m seventeen come Sunday
Jan-Hendrik Herrmann: O waly, waly (2015)
Charles Villiers Stanford: Quick, we have but a second
Thomas Ravenscroft: Remember, O thou man (1611)
Ludwig Böhme: Salley Gardens (2009/2018)
Mirjam James: Sumer is icumen in
Gustav Holst: The mother-in-law
Ralph Vaughan Williams: The springtime of the year
Richard Elfyn Jones: Tra bo dau / Two hearts beat as one
Thomas Ravenscroft: There were three ravens (1611)

The Folk Songs choral collection explores the musical world of Great Britain and Ireland. It contains 21 arrangements of English-language verse songs, canons, and ballads for mixed unaccompanied chorus. The folk songs are as diverse as the stories they tell: from the moving Greensleeves and Two hearts beat as one, through charming settings such as A rosebud by my early walk and There were three ravens, to saucy and tongue-in-cheek songs such as Dashing away with the smoothing iron and The mother-in-law.

The stylistic treatment is very varied: the collection contains both original settings from the 13th century as well as arrangements specially commissioned from contemporary composers for the collection. The settings are in three to five parts, and the vocal parts sometimes divide. They are by well-known British and Irish composers such as Benjamin Britten, Gustav Holst, Ralph Vaughan Williams, and Charles Villiers Stanford, as well as contemporary composers such as John Rutter and Carsten Gerlitz – who give a new twist to these traditional songs.

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