Händel, G.F.: Let thy hand be strengthened - Coronation Anthem II, HWV 259 (Vocal Score)
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| Produktnr. | CV55.259/03 |
|---|---|
| Komponist | Händel, George F. |
| Genre | Klassisk |
| Sider | 31 |
| Udgivelsesår | 2023 |
| Instrumentation | SSAATB, Orchestra |
| Forlag | Carus |
Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.
Händels Coronation Anthems HWV 258-261, written for the coronation of King George II, are among the composer's most famous and best loved vocal works. They were erformed as a part of the coronation ceremony by an ensemble made up of select musicians available to Händel, assembled mainly from the court and from Westminister Abbey, where the service took place on October 11, 1727.
The coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, are all true masterpieces of the choral literature.
Duration: 8 min.
Language: English
About the Carus edition:
For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices.
Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.
This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.