Musician's Guide to Aural Skills Ear-Training, Fourth Edition
The Musician’s Guide to Aural Skills helps students develop skills in ear-training and sight-singing through a repertoire of real music that students listen to and perform.
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| Produktnr. | 9780393442540 |
|---|---|
| Genre | Undervisning |
| Sider | 492 |
| Udgivelsesår | 2021 |
| Forlag | Norton |
| Udgave | Spiralindbundet |
Authors: Joel Phillips, Paul Murphy, Jane Piper Clendinning, Elizabeth West Marvin.
A real-music approach to integrating aural skills with theory
The Musician’s Guide to Aural Skills helps students develop skills in ear-training and sight-singing through a repertoire of real music that students listen to and perform. Designed to link aural skills with what students do in the theory classroom, The Musician’s Guide to Aural Skills is closely coordinated with The Musician’s Guide to Theory and Analysis.
Chapter 1: Pitch and Pitch Class
Chapter 2: Simple Meters
Chapter 3: Pitch Collections, Scales, and Major Keys
Chapter 4: Compound Meters
Chapter 5: Minor Keys and the Diatonic Modes
Chapter 6: Intervals
Chapter 7: Triads
Chapter 8: Seventh Chords
Chapter 9: Note-to-Note Counterpoint
Chapter 10: Embellishment in Two-Part Counterpoint
Chapter 11: Soprano and Bass Lines in Eighteenth-Century Style
Chapter 12: The Basic Phrase in SATB Style
Chapter 13: Dominant Sevenths and Predominants
Chapter 14: Expanding Harmonies with <6/4> Chords
Chapter 15: New Cadence Types
Chapter 16: Embellishing Tones
Chapter 17: More Dominant-Function Harmonies
Chapter 18: Phrase Structure and Motivic Analysis
Chapter 19: Secondary Dominant-Function Chords of V
Chapter 20: Tonicizing Scale Degrees Other than ^5
Chapter 21: Diatonic Sequences
Chapter 22: Modulation
Chapter 23: Binary and Ternary Forms
Chapter 24: Invention, Fugue, and Baroque Counterpoint
Chapter 25: Variations
Chapter 26: Modal Mixture
Chapter 27: The Neapolitan Sixth and Augmented-Sixth Chords
Chapter 28: Chromatic Sequences and Voice-Leading Chords
Chapter 29: Vocal Forms
Chapter 30: Sonata Form
Chapter 31: Rondo and Related Formal Plans
Chapter 32: Lead-Sheet Notation, Jazz, and Blues
Chapter 33: Popular Song
Chapter 34: Tetrachords, Pentatonic Scales, and Modes
Chapter 35: Asymmetric Meter, Changing Meter, and Polymeter
Chapter 36: PC Sets as Motive
Chapter 37: Set Classes
Chapter 38: Ordered Segments and Serialism
Chapter 39: Recent Trends in Rhythm and Meter
Chapter 40: Borrowing from the Past
A real-music approach to integrating aural skills with theory
The Musician’s Guide to Aural Skills helps students develop skills in ear-training and sight-singing through a repertoire of real music that students listen to and perform. Designed to link aural skills with what students do in the theory classroom, The Musician’s Guide to Aural Skills is closely coordinated with The Musician’s Guide to Theory and Analysis.
Chapter 1: Pitch and Pitch Class
Chapter 2: Simple Meters
Chapter 3: Pitch Collections, Scales, and Major Keys
Chapter 4: Compound Meters
Chapter 5: Minor Keys and the Diatonic Modes
Chapter 6: Intervals
Chapter 7: Triads
Chapter 8: Seventh Chords
Chapter 9: Note-to-Note Counterpoint
Chapter 10: Embellishment in Two-Part Counterpoint
Chapter 11: Soprano and Bass Lines in Eighteenth-Century Style
Chapter 12: The Basic Phrase in SATB Style
Chapter 13: Dominant Sevenths and Predominants
Chapter 14: Expanding Harmonies with <6/4> Chords
Chapter 15: New Cadence Types
Chapter 16: Embellishing Tones
Chapter 17: More Dominant-Function Harmonies
Chapter 18: Phrase Structure and Motivic Analysis
Chapter 19: Secondary Dominant-Function Chords of V
Chapter 20: Tonicizing Scale Degrees Other than ^5
Chapter 21: Diatonic Sequences
Chapter 22: Modulation
Chapter 23: Binary and Ternary Forms
Chapter 24: Invention, Fugue, and Baroque Counterpoint
Chapter 25: Variations
Chapter 26: Modal Mixture
Chapter 27: The Neapolitan Sixth and Augmented-Sixth Chords
Chapter 28: Chromatic Sequences and Voice-Leading Chords
Chapter 29: Vocal Forms
Chapter 30: Sonata Form
Chapter 31: Rondo and Related Formal Plans
Chapter 32: Lead-Sheet Notation, Jazz, and Blues
Chapter 33: Popular Song
Chapter 34: Tetrachords, Pentatonic Scales, and Modes
Chapter 35: Asymmetric Meter, Changing Meter, and Polymeter
Chapter 36: PC Sets as Motive
Chapter 37: Set Classes
Chapter 38: Ordered Segments and Serialism
Chapter 39: Recent Trends in Rhythm and Meter
Chapter 40: Borrowing from the Past