Villa-Lobos, Heitor: Cinq Préludes (Solo Guitar)
The Cinq Préludes by Heitor Villa-Lobos represent the Brazilian composer’s last work for solo guitar and were written in the summer of 1940. Critical edition by Frédéric Zigante.
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Produktnr. | DF01657800 |
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Forlag | Durand |
Komponist | Villa-Lobos, Heitor |
Sider | 44 |
Udgivelsesår | 2019 |
Genre | Klassisk |
Instrumentation | Solo Guitar |
The Cinq Préludes by Heitor Villa-Lobos represent the Brazilian composer’s last work for solo guitar and were written in the summer of 1940.
They do not constitute a single cycle, but rather a heterogeneous collection, similar in spirit to a collection of pages from an album, with each one developing, in its own individual way, a different stylistic principle. In terms of instrumental technique, Heitor Villa-Lobos places the Préludes in a kind of ideal balance point between the still nineteenth-century writing style of the Suite populaire brésilienne and the daring instrumental experimentation of the Douze Études. In the present edition, the manifold editorial issues concerning Heitor Villa-Lobos’ guitar music have been affronted by looking at of all of the sources available today: these efforts have thus enabled us to put together a more reliable text than those before it both in terms of the notes and the fingerings.
Edizione critica di Frédéric Zigante
They do not constitute a single cycle, but rather a heterogeneous collection, similar in spirit to a collection of pages from an album, with each one developing, in its own individual way, a different stylistic principle. In terms of instrumental technique, Heitor Villa-Lobos places the Préludes in a kind of ideal balance point between the still nineteenth-century writing style of the Suite populaire brésilienne and the daring instrumental experimentation of the Douze Études. In the present edition, the manifold editorial issues concerning Heitor Villa-Lobos’ guitar music have been affronted by looking at of all of the sources available today: these efforts have thus enabled us to put together a more reliable text than those before it both in terms of the notes and the fingerings.
Edizione critica di Frédéric Zigante