CONTENTS Volume I Conventions Bibliography Description of the Manuscript Graphic Characteristics and Editorial Method Attributions – The composers Acknowledgments Aucthore Kerchoven. Gloria de beata Salve regina A. K. Missa duplex AK 1mi toni a Kerckhoven [Verses on the eight tones, first series] Versus1mi toni Versus2di toni Versus3 toni Versus4ti toni Versus5ti toni Versus6ti toni Versus7mi toni Versus8vi toni [Verses on the eight tones, second series] Versus1mi toni Versus2di toni Versus3ti toni Versus4ti toni Versus5ti toni Versus6ti toni Versus7mi toni Versus8vi toni Critical Report (nos. 1-284) Volume II [Verses on the eight tones, third series] Versus1mi toni Versus2di toni Versus3ti toni [Versus4ti toni] [Versus5ti toni] [Versus6ti toni] [Versus7mi toni] [Versus8vi toni] [Four Fugues and one Fantasia] Fuga Fuga Fuga Fuga [Christian Erbach, Ricercar secundi toni] Fantasia. Cornet [Four pieces signed L. F.][347] Cornet Fuga. Volspel Trompet bas Fuga. Volspel [Eleven large pieces by Abraham Van den Kerckhoven] Fantasia Fantasia Fantasia. Pro Duplici Organo Fantasia [Half register] Fantasia Fantasia [Half register] Fuga Fantasia [Half register] Preludium – Fuga Preludium – Fuga Preludium – Fuga [Two Fugues by Papen, one by Frescobaldi] Fuga Fuga Fuga d’un Italien Critical Report (nos. 285-364) The Consort Magazine (Summer 2019) ... The edition opens with a bibliography, followed by a description of the manuscript and the editorial procedure concerning titles, false relations, clefs, key signatures, note values, rests, ties (somewhat erratic in the manuscript), ornament signs (rather rare), accidentals, errors, keyboard range and so on, followed by notes on the composers. Parts 1 and 2 each include an extensive critical report on the pieces they contain. The printing is extremely clear and carefully laid out to minimise awkward page turns. Several facsimiles are included. Many of the larger-scale pieces will be valuable as voluntaries and in recitals, while the shorter Verses could be most useful in a liturgical context and as teaching material. ... The great value of this edition is the meticulous and concisely-written introduction, as well as the exceptionally well-written critical commentary. The first volume of this new project sets a very high standard indeed. (John Collins)