Carson Cooman (b. 1982) is a graduate of Harvard University who has an intense desire for the organ to speak in a contemporary musical language. Romanza, Op. 186 Bears Fruit in Season, Op. 311 Prelude on “O Sacred Head,” Op. 226 Two for Redemption, Op. 172 [I. How Great Thou Art; II. Come, You Sinners, Poor and Needy] Haec Aeterna, Op. 118 Twilight Undulations, Op. 249 Fantasy on “Valmai,” Op. 150 Meditation on “Palsrok,” Op. 349 Elegy, Op. 265 Sunburst (A Recessional Fanfare), Op. 225 Eternity in Their Hearts, Op. 419 Dawning, Op. 396 Three Voluntaries, Op. 117 Offertories for the Church Year, Op. 260 [I. Advent (“Come, Thou Long-Expected Jesus”); II. Christmas (“O Come, All Ye Faithful”); III. Epiphany (“Songs of Thankfulness and Praise”); IV. Lent (“When I Survey the Wondrous Cross”); V. Easter (“Good Christians All, Rejoice and Sing”); VI. Ascension (“Jesus Shall Reign”); VII. Pentecost (“Holy Spirit, Truth Divine”); VIII. Ordinary Time I (“When Peace Like a River”); IX. Ordinary Time II (“For the Beauty of the Earth”); X. Ordinary Time III (“Stand Up, Stand Up for Jesus”)] Pastorella and Fanfare, Op. 317 Tenebrae Canticle, Op. 330 Three Chorale Preludes, Op. 170 [I. Nun danket; II. Nun komm der Heiden Heiland; III. Wie schön leuchtet] Sonata da Chiesa (Sonata No. 4), Op. 140 [I. Prelude; II. Offertory; III. Postlude]. Difficulty: Easy to medium.