ECHO Collection of Historical Organ Music - Vol. 2 Editor: Pieter van Dijk, Frank van Wijk CONTENTS Conventions Bibliography Preface The Content of the Camphuysen Manuscript Notation and Performance Editorial Policy Accidentals Acknowledgments De Mensch wiens Hert gelijck vruchtbaer aerd is Wanneer het hert Een dorstig hert Aij mij wat plagen Daer en is niet in mijn Leven Door eijgen liefdes Psalm 8 Wel aen o alle vromen Alleen niet ’t kruijs van Godes Sone Hoe ongelijcken lot Aij mij wat plagen Wel aen o alle vromen Hoor na mij De Soete Meeremin De Mens wiens Hert Brabantse dragonders Mars Moetm: in alles Sich versaken Gij die uijt Swerelts droom Godt Schiep den Mens vol Eere Een dorstig Hert Godt Schiep den Mens vol Eere [3 versus] Psalm 74 De Mensch wiens Hert Blijtschap van mij vliet Wel aen o alle vroomen Psalm 146 Bewaert mij Godt De Engelsche Fortuijn Hoe ongelijcken Lot Daphne [3 versus] Psalm 65 Psalm 116 Psalm 23 Psalm 100 [2 versus] Psalm 5 [2 versus] Psalm 8 [2 versus] Critical Notes The Organ Magazine ... The printing is extremely clear and carefully laid out so that there are no unmanageable page turns. A facsimile of each piece is included within the music text. Perhaps the overall contents are of greater interest to early music specialists wishing to learn more about domestic keyboard music written by Sweelinck’s successors, but the variations are valuable as teaching material and could be included in recitals. The Consort Magazine (Summer 2019) ... The edition opens with the general conventions adopted for the series, a short bibliography and a detailed preface describing the manuscript's origin and content, notation and performance options including ornaments - the pieces contain many single- and double-stroke ornament signs - and the policy on accidentals. There is a critical report on each piece, its origin and any editorial amendments. The printing is clear and carefully laid out, with no unmanageable page turns; a facsimile of each piece is included. The book will chiefly interest early music specialists wishing to learn more about domestic keyboard music written by Sweelinck 's successors, but the variations will be valuable as teaching material and could be included in recitals. (John Collins)