Goerne, Matthias, baritone DeYoung, Michelle, mezzo-soprano Begley, Kim, tenor Pushniak, Oleksandr, baritone Reid, Charles, tenor Samuil, Anna, soprano Humble, Deborah, mezzo-soprano Sidhom, Peter, baritone Cangelosi, David, tenor Milling, Stephen, bass Youn, Kwangchul, bass Nakamura, Eri, soprano Varak, Aurhelia, mezzo-soprano Haselbock, Hermine, mezzo-soprano Hong Kong Philharmonic Orchestra / Jaap van Zweden First performed as a cycle of four operas in 1876, Wagner's visionary Der Ring des Nibelungen (The Ring of the Nibelung) is one of the greatest works of art. Centred around a ring which offers its bearer ultimate power and the attempts of various people to acquire it, the Ring cycle explores the relationship between love and earthly power and the themes of yearning and loss, all within a setting of medieval legend. The Prologue Das Rheingold depicts the theft and subsequent surrender of the ring forged from the Rhinemaidens' gold by the Nibelung dwarf Alberich.