Following their acclaimed recordings of Schoenberg with Sara Jakubiak and Britten’s Peter Grimes with Stuart Skelton, Edward Gardner and the Bergen Philharmonic turn their attention to the music of Sibelius. Written in 1913 for the diva Aino Ackté, the tone poem Luonnotar draws on text from the Finnish national epic poem, the Kalevala. Its virtuosic demands are ably met here by award-wining soprano Lise Davidsen, who also feature in the Suite from Pelléas and Mélisande, music re-worked by Sibelius from his incidental music written for the first performances of Maeterlinck’s play in Helsinki, in 1905, in Swedish. The tone poem Tapiola, from 1926, is Sibelius’ last great masterpiece and evokes the forests of his native Finland. The programme is completed by a pair of much earlier works, Rakastava (the Lover) and Vårsång (Spring Song). TRACKLIST: 1 Luonnotar, Op.70 (1913) 2 Tapiola, Op.112 (1926) Pelléas and Mélisande, Op.46 3 i. Vid slottsporten (At the Castle Gate, Prelude t 4 ii. Mélisande 5 iii. Påstranden vid hafvet 6 iv. Vid en källa i parken 7 v. De trenne blinda systrar 8 vi. Pastorale 9 vii. Mélisande vid spinnrocken 10 viii. Mellanaktsmusik 11 ix. Mélisandes död Rakastava, op. 14 12 i. Rakastava 13 ii. Rakastetun tie 14 iii. Hyvää iltaa... Jää hyvästi 15 Vårsång (Spring Song) Op.16