Editor: Rampe, Siegbert • Preface: • Sources • Editorial Method and Performance Practice • Commentary on the Works • Faksimiles - Facsimiles • Variationen gesicherter Authentizität (Teil 1) / Variations of Certain Authenticity (Part 1): • V 1 Balleth. del granduca in G • V 2 Esce mars. in C • V 3 Ich fuhr mich vber Rheinne. in a • V 4 Mein Junges Leben hat ein Endt in d • V 5 Paduana Lachrimae collorirt in a • V 6a Pavana Hispanica in g (J. P. Sweelinck & S. Scheidt) • V 6a Paduana. Hispania. in g (J. P. Sweelinck & S. Scheidt) • V 7 Pavan Philippi in G • Variationen ungesicherter Authentizität / Variations of Uncertain Authenticity: • V 11 Allemande de chapelle in C • V 12 Bergamasca. in G • V 13 Malle Sijmen in d • V 14 Passomeza. a 4 Voc[i] in G • Kritischer Bericht - Critical Commentary The central importance of Jan Pieterszoon Sweelinck (1562–1621) for baroque keyboard music can hardly be overestimated. Siegbert Rampe’s scholarly performance edition is the first edition of Sweelinck’s complete keyboard works which differentiates between ‘works of certain authenticity’ and ‘works of doubtful authenticity’. For the first time Volumes III.1 and III.2 inclu de all chorale arrangements attributed to Sweelinck or handed down under his name. Volumes IV.1 and IV.2 include all dance and song variations. - Definitive complete Urtext edition - Each volume contains facsimiles and a Critical Commentary (Ger/Eng) with a list of sources - Detailed forewords (Ger/Eng) on the structure of the works and editorial technique - With tips on instrumentation and performance practice - Notes on ornamentation “All eight volumes inclu de commentaries in German and English and reflect the latest scholarly research. Highly recommended.” (The American Organist August 2010)