This well-known study by an eminent musicologist constitutes one of the best mid-level explorations of the nature and function of the orchestra. Tracing the beginnings of modern music from the seventeenth through early twentiethcenturies, the survey presents forty-four musical excerpts and thirteen sketches of instruments, plus appendices and quotations related to conducting methods. Featured composers include Purcell, Scarlatti, Bach, Handel, Gluck,Haydn, Mozart, Beethoven, Schubert, Berlioz, Wagner, Debussy, Elgar, and many others.

Author Adam Carse examines the evolution of individual musical instruments along with varying performance techniques and conceptsofinstrumental color. He further explores the recognition of major instrumental groups and their musical distinctions, decisions regarding volume and balance of tone, the influence of musical subject matter upon orchestration, andmany similar topics. This volume represents a splendid resource for music students, enthusiasts of musical history and classical music, and music lovers of all ages.

Corrected republication of the 1925 edition published by Kegan Paul, Trench, Trubner and Company, Limited.

Chapters:

Introduktion

1. Orchestral intruments in the seventeenth century

2. Sixteenth century - Early efforts

3. Seventeenth century - The Initial Period

4. Seventeenth century - The initial Period (continued)

5. Purcell & Scarletti: The four-part string orchestra

6. The period of Bach and Handel

7. Transition: Gluck

8. The period of Haydn and Mozart

9. Orchestral instruments in the nineteenth century

10. Nineteenth century, first quarter - Beethoven, Schubert, Weber & Rossini

11. Nineteenth century, second quarter - Meyerbeer, Berlioz, Mendelssohn & GLinka

12. The period of Wagner

13. The period of Brahms & Tchaikovsky

14. Strauss, Debussy & Elgar

Conclusion and appendix