Editor: Michael Belotti Edited “very closely to the sources” The works constitute an important stylistic link between Sweelinck and Buxtehude. On the basis of new findings on sources, stylistic aspects and performance practice of 17th-century organ music, Michael Belotti provides a new assessment of Tunder’s works and offers many new solutions concerning dubious or fragmentarily transmitted passages. In many cases, however, the editor decided to simply follow the sources, since they are superior to the attempted improvements of the earlier editions. For this reason too, Belotti’s new Urtext edition deserves the predicate “very close to the sources.” Table of contents 1. Preface 2. Praeludium in F 3. Praeludium in g 4. Praeludium in g 5. Praeludium in g 6. Canzon in G 7. Auf meinen lieben Gott 8. Christ lag in Todes Banden 9. Herr Gott, dich loben wir 10. In dich hab ich gehoffet, Herr 11. Jesus Christus, unser Heiland 12. Jesus Christus, wahr’ Gottes Sohn 13. Komm, Heiliger Geist, Herre Gott 14. Was kann uns kommen an für Not 15. Appendix: Incompletely Transmitted Works 16. Critical Report is offered as download file