- Includes a discussion of Schübler's fugue, a previously unpublished fugue by the Bach pupil J. G. Schübler. - Presents previously unexplored archival data. - Discusses the music in contexts other than classical music. - Includes essays on Cesar Frank and Edward Elgar, two composers largely ignored in Bach reception studies. In this wide-ranging set of original essays, musicologist and organist Russell Stinson investigates Johann Sebastian Bach's compositions for the organ, opening up a wealth of perspectives on the stylistic orientation and historical context of these timeless masterpieces. With a sweeping hand, Stinson sheds light on the entire corpus of Bach's organ chorales, and considers the reception of particular pieces not only by various luminaries in the classical music world, but also those within such disparate contexts as film, literature, politics, and rock music. Stinson's investigations include a revealing focus on a previously unpublished fugue by Bach pupil J. G. Schübler, unexplored techniques found in over twenty of Bach's chorale preludes, and the diverse ways in which Bach's organ works have been received from the composer's own lifetime to the present day. Individual essays are also devoted to Felix Mendelssohn as a performer; to Robert Schumann as an editor and critic; to César Franck as a performer, pedagogue, and composer; and to Edward Elgar as a performer, critic, and transcriber. Rich in archival data and filled with fascinating anecdotes, J. S. Bach at His Royal Instrument is entirely up-to-date, meticulously annotated and indexed, and eminently readable. This book is essential reading for anyone at all interested in Bach and "the king of instruments." TABLE OF CONTENTS: INTRODUCTION ONE Studies and Discoveries TWO Bach and the Varied Stollen THREE Some Observations on Mendelssohn's Reception of Bach's Organ Works FOUR Bach's Organ Works and Schumann's Neue Zeitschrift FIVE César Franck as a Receptor of Bach's Organ Works Franck's Performances of Bach's Organ Works Matters of Pedagogy Franck's Compositional Responses to Bach's Organ Works SIX Edward Elgar as a Receptor of Bach's Organ Works Elgar as Bach Interpreter Elgar as Bach Devotee and Bach Critic Elgar's Bach Transcriptions SEVEN Aspects of Reception from Bach's Day to the Present The Six Trio Sonatas, BWV 525-30 The Prelude and Fugue in D Major, BWV 532 The Prelude and Fugue in E Minor, BWV 533 The Toccata and Fugue in F Major, BWV 540 The Fantasy and Fugue in G Minor, BWV 542 The Six Great Preludes and Fugues, BWV 543-48 The Prelude and Fugue in E-flat Major, BWV 552 The Toccata, Adagio, and Fugue in C Major, BWV 564 The Toccata and Fugue in D Minor, BWV 565 The Fantasy in G Major (Pièce d'Orgue), BWV 572 The Passacaglia in C Minor, BWV 582 "Ich ruf zu dir, Herr Jesu Christ," BWV 639 "Herzlich tut mich verlangen," BWV 727 APPENDIX 1 APPENDIX 2 LITERATURE CITED